Li Junsheng, Han nationality, born in 1956, is a national senior calligrapher. Deputy Secretary-General of national architecture institute of china Painting and Calligraphy Art Professional Committee, Vice Chairman of the Board of Directors, Deputy Director of Editorial Board of Entrepreneur Daily Art Investment Weekly, Member of Central State Organs Book Association, Member of China Couplet Association, Deputy Secretary-General of Calligraphy Art Research Association of China Couplet Association, Lifetime Visiting Professor of China Education Alliance, Visiting Professor of national architecture institute of china Painting and Calligraphy Art Professional Committee.

In January 2010, he was included in the Dictionary of Chinese Painters and Painters (Contemporary Volume). In the 13th China Contemporary Power School Painting and Calligraphy Auction, he was awarded the title of "Top Calligrapher".

In November 2017, he participated in the 20th Annual Academic Conference of national architecture institute of china held in Chongqing with the theme of "Urban Renewal and Cultural Inheritance". His work "Thousand Blessings" was highly praised by entrepreneurs and included in the special issue of "Inheritors of Hanmo Culture", which was presented to participating enterprises and leaders at the 20th Annual Academic Conference in national architecture institute of china. The work "Thousand Blessings" was successfully collected by the elite of enterprises.

In January, 2018, as a new era painting and calligraphy, it was published by US-China Times and China Enterprise News, and distributed nationwide and globally. In June of the same year, he was invited to participate in the 40th anniversary of reform and opening-up and the second exhibition of outstanding works of "Ancient Architecture and Beauty of Painting and Calligraphy" held in Yibin, Sichuan Province. His work "Thousand Blessings" attracted the attention of leading experts and business leaders. On October 20, 2018, he was invited to attend the "New Era, New Mission, New Journey"-National Painting and Calligraphy Art Development Summit held in the Multi-function Hall of the National Ethnic Affairs Commission. On January 5, 2019, the exhibition of Li Junsheng's calligraphy works, "National Memory and Inheritance of Chinese Calligraphy", sponsored by national architecture institute of china Painting and Calligraphy Professional Committee was grandly held in the Exhibition Hall of Beijing National Culture Palace. Zhao Shaohua, former deputy secretary and vice minister of the Ministry of Culture, Quan Xijun, former consultant of Chinese Calligraphers Association, Zhang Bai, former deputy director of the State Administration of Cultural Heritage and member of the party group, Yang Dongsheng, relevant leader of China Federation of Literary and Art Circles and deputy secretary-general of national architecture institute of china attended the opening ceremony.

Comments on Li Junsheng's calligraphy works by famous calligrapher Quan Xijun

Quan Xijun commented on Li Junsheng's works: appreciating Mr. Li Junsheng's calligraphy, his calligraphy works are full of rich cultural heritage, from which we can see the author's rich cultural accomplishment; Style of the work; The brushwork is vigorous, the structure is smart and changeable, and it flows round and round. The works of "Thousand Blessings" have endless connotations between lines, full of ancient interest and full of tension magnetism. He pays attention to the importance, urgency, roundness, movement, rigidity and softness of the strokes, thus forming the beauty of simplicity, elegance and agility of Gu Zhuo. On the whole, it's easy and smart enough to observe the skillful skills of the creator. From the perspective of brushwork, ink, layout, composition, etc., it can be described as calm, happy to follow the pen, free to splash and enjoy, and the work is permeated with a kind of simplicity. Unique rich and connotative own style, showing strong power.

His masterpiece "Prosperity in a Prosperous Age" expresses the author's understanding of traditional culture and the profound feelings and sincere blessings of the Chinese nation. I hope that Mr. Li Junsheng will create more wonderful works on the road of calligraphy, make greater contributions to the traditional culture of the Chinese nation and achieve better achievements.

Brilliant, fascinating and interesting —— Interpretation of Li Junsheng's calligraphy art

Like many friends who love calligraphy art, I know Mr. Li Junsheng from his calligraphy works, which attracted me and made me have a deep understanding of him over time.

Li Junsheng has a profound foundation of calligraphy theory, good writing skills of Chinese characters, comprehensive cultural qualities of extensive knowledge and erudition, hard self-study perseverance and innovative spirit, excellent artistic moral realm and artistic character, which makes his calligraphy art have aura and vitality.

Looking at his calligraphy works, people feel new, not thin, flashy and not flattering. The finished works do not lose their testimonies, and the works with few characters do not lose their magnificence. The softness and hardness are mutually beneficial, and the male and female show simultaneously, and the flesh and blood are plump and the structure is natural. Learn from the ancient instead of the mud, and seek new things instead of gaining favor. This is "many ancients cast in their hearts, give them pens, and integrate the strengths of hundreds of families into themselves."

His calligraphy is fat and bony, which is both flesh and blood, lively and clever. The pen is changeable, the composition is well-versed, the tape is reflected up and down, the left and right look around, the ups and downs are scattered on the paper. In the flowing lines, Fiona Fang, density, size, length, thickness, thickness, lightness, dryness and humidity are changeable and flexible. The majestic atmosphere, such as flowing water, is really unconventional and unique, and has its own unique brushwork and unique artistic expression.

His artistic charm not only gives people artistic appreciation, but also gives people spiritual enjoyment. His works, "There is rigidity in softness and novelty in show, but the pen is cool and helpful." I "admire Li Junsheng's calligraphy, and then understand the contents of the book. I really have the feeling of reading the thread-bound book after bathing, changing clothes and burning incense. Line fragrance, ink fragrance, word fragrance and wenxiang are all overflowing, and the nose is comfortable, the eyes are pleasing, the heart is wide and the mind is happy. " Write the reader's true feelings.

He is not proud. He thinks that the highest realm of calligraphy is to write heart, thoughts and feelings. Mr. Li Junsheng's calligraphy has reached this level. He organically combined traditional calligraphy skills with modern calligraphy, and boldly innovated with abstract wonderful calligraphy skills. His rich ink color changes were wonderful, and he wrote a book in one go, just like a dragon swimming in the water and a dragon swimming in the sky. He dissolved freehand brushwork into words, and there were paintings in the words, which were used for words, and the strokes were staggered and undulating, which made the viewers marvel. He wrote his comprehension of life with pen and ink.

For Mr. Li Junsheng, calligraphy is his life's love and pursuit. It is also because of his persistence that his life is more bumpy and wonderful than usual.

Everything is inferior, only reading is high, calligrapher Li Junsheng, he is a flying fairy outside, elegant and free and easy, he is like a tough guy inside, rigid and rigid, and he writes a lasting personality charm. He is willing to be lonely, and with his natural quality, he loves calligraphy like a drunken dream, which makes him step by step to the palace of calligraphy art.

-Ouyang Zhongshi

Getting to know Mr. Li Junsheng begins with getting to know his calligraphy art.

In ancient and modern China and foreign countries, most accomplished calligraphers can trace their unique understanding of traditional calligraphy art into their creation, and form their unique language and vocabulary of calligraphy art style and charm, and gradually become one, of which Li Junsheng is one.

Li Junsheng's calligraphy, which started with dignity and elegance, studied hard all the way, and got its own method of combining Fiona Fang with each other, showing the meaning of stretching and chic. Pay attention to the importance, urgency, roundness, movement, rigidity and softness of strokes, and form the simple, elegant and smart beauty of Gu Zhuo. Thick and heavy places are filled with static and broad potential, without carving and simple, charming and upright. For example, when the horn is heard in the morning, the drums are rising, the strong men are facing the battle, wearing helmets and wearing armor, and they are full of masculinity and exciting; It is also like a winding stream in the mountains, with spring water ding-dong, crisp and pleasing to the ear, giving people a reverie; It is just like listening to the ethereal songs in the distance under the lotus pond, which makes people intoxicated.

No pains, no gains. Rome wasn't built in a day. Three volts count nine, and work hard. You're alone in the pavilion, forgetting the ugliness, the appalling crowing, and hating the embarrassment of the morning light. "Don't worry about the poor and the poor, don't ask for riches and honour", let it be, be happy with contentment, and be leisurely.

Tang Qi Ren Qian Monk's "Praise for Writing Meaning" said: "The beauty of a book is superior, while the quality is second." Li Junsheng skillfully softens the beauty and quality together, so Li Junsheng calligraphy shows the profound traditional foundation and attainments. "A few words make a meaning, while a word shows its heart". I was deeply impressed by Li Junsheng's integrity, boldness, sincerity and frankness.

There is no end to art, a long way to books, and all books are old. I believe Mr. Li Junsheng will spare no effort to pursue and explore the true meaning of art in the future.

-Shen Peng